Thursday 9 April 2015

Oru Vadakkan Selfie




CAST:Nivin Pauly, Aju Varghese, Vineeth Sreenivasan, ManjimaDIRECTION:G Prajith

SYNOPSIS: Engineering student Umesh is an academically lost soul, but wishes to be a filmmaker. After an attractive Daisy moves to his neighbourhood with her family, he feels motivated to scale greater heights so he can impress her. An incidental train journey with her changes his life forever.

REVIEW: Oru Vadakkan Selfie is two films in one. While its full-of-life first half is a humorous joyride depicting relatable life situations of an engineering college student, the second is a detective story. Set in locales popularized by Thattathin Marayathu and lining up more or less similar characters, one would feel it's a remix of the 'ummachikutty-loves-aimless-Nair' story. But midway, the film changes track into a thriller.

Umesh who has lost interest in academics is equally clueless when it comes to pursuing his filmmaking ambitions. When pretty girl Daisy moves in to his neighbourhood, a love-struck Umesh tells his friends that they are a couple. Fearing that he may have to join the family business upon failing in all subjects, Umesh runs away to Chennai, only to find Daisy on the train. A photo clicked with her lands him in dire straits and his life takes a new turn.

Nivin Pauly lights up the screen with his effervescence and steals every scene, playing the deadbeat Umesh. Though his mannerisms remind one of 'Rameshan' in 1983 who gives academics a backseat for the love of cricket, the actor's antics do not fail to entertain. Many dialogues mouthed by Aju's partner-in-crime character and Vineeth's private detective avatar are crafted with precision to evoke laughter.

Post interval, however, the narrative wobbles when it dons the garb of a detective thriller, though Aju's antics offer some comic relief. The story derails from what it started out to be and it seems as though the director did not know where to take his characters to. One can't help but wonder what the film was all about as the credits start rolling post the convoluted, abrupt climax.

Ennum Eppozhum Movie Review






CAST:Mohanlal, Manju Warrier, Reenu Mathews
DIRECTION:Sathyan Anthikad


SYNOPSIS: Journalist Vineeth M Pillai's carefree nature does not go down well with his colleagues or new boss. Taking a comprehensive interview of advocate Deepa, an overnight celebrity, is his chance to set his image right. Vineeth shadows the tenacious lawyer to understand her better and what starts off as a news assignment transforms into something much more.


REVIEW: One of the most original and compelling storytellers in Mollywood, Sathyan Anthikad movies are often cinematic equivalents of feel-good neighbourhood chats. If similar expectations tag along as you book seats for his latest film, you may be in for many surprises. In Ennum Eppozhum, he presents a movie that has a refreshing plot moulded in an old-school kiln.

Chronic bachelor and senior journalist Vineeth N Pillai is a man-child. Be it in the orderliness expected in an adult's personal life or in observing the proprieties of a professional, he remains least bothered to be impressive. His new boss entrusts him with the task of interviewing celebrity lawyer Deepa and it is Vineeth's chance to save his credibility. As he follows her around, a never-before connection is forged with the brave woman and his assignment grows into something more profound.

As it is, the plot and the characters that give it life are new-fangled, and the director has attempted his signature style of entertaining through a hearty story. There are a handful of nostalgic moments in which Mohanlal fans can easily break into thunderous applause. Manju is convincing as a separated mother and smart career woman who stands up for herself and others. However, instances that tie the story together seldom seem plausible, which is often the touted characteristic of Sathyan Anthikad films.

To begin with, Mohanlal's character has all the time in the world for this single assignment and in the name of an obligation - the details of which are hardly known or convincing to the audience - his boss starts favouring him one fine day. For apparently no reason, an influential builder (Ranji Panicker), against whom Deepa moves legally, agrees to her conditions in sequences that are expected to be funny. One can't find any comic moment that would remotely stand up to the innumerable, evergreens gems of humour found in yesteryear Sathyan Anthikad movies. Here, they almost consistently fail to deliver. Besides, it gets a tad too boring when yet another filmmaker fashions Manju Warrier's character mirroring her real-life situation, throwing in a troubled relationship with dance for solace. In fact, her husband's name is Rajeev, just as it was in How Old Are You!

Ennum Eppozhum lacks the fluidity and penetration power that a Sathyan Anthikad film promises and is ultimately underwhelming. Nevertheless, it has moments to relish for fans of both stars.

Fast And Furious 7 Movie Review







CAST:Vin Diesel, Paul Walker, Dwayne ‘The Rock’ Johnson, Jason Statham, Michelle Rodriguez, Jordana Brewster, Kurt Russell, Ludacris, Tyrese Gibson, Djimon Hounsou, Nathalie Emmanuel





DIRECTION:James Wan
DURATION:2 hours 17 minutes



GENRE:Action










STORY: Dominic (Diesel), Brian (Walker), Letty (Rodriguez) Roman (Gibson) and Tej (Ludacris) are approached by Frank (Russell) to acquire a device called 'God's Eye' designed by a hacker, Ramsey (Emmanuel). This is a backdrop for the real confrontation - Deckard Shaw (Statham) who seeks revenge from Dominic for the death of his younger brother. From the US to Azerbaijan, then Dubai and back to LA, the fight is, indeed, both fast and furious.

REVIEW: Amazing stunts aside, James Wan (Insidious 2, The Conjuring) probably faced two big challenges when making this film. The first, crafting a movie that glorifies insanely reckless driving while also being sensitive to the fact that one of the leads (in a sad irony) died in a reckless sports car crash. Secondly, making a seamless film given the fact that Paul Walker - a name synonymous with this series - is no more. In both cases, he hits the sweet spot.


The plot of this film is just an excuse for some of the best car chase/action scenes recently seen on screen. You get a taste of what's to come in the beginning, when Shaw and Dom, much like two testosterone-fuelled bulls, ram their cars into each other head-on. No one backs away; no one bats an eyelid. They then step out of their mangled metal steeds and almost come to blows before Dom is rescued by Frank, who calls himself 'Mr Nobody'. A deal is struck: Dom and his crew will help Frank nab the terrorist Jakande (Hounsou, with some ridiculous lines) and the 'God's Eye' device and in return, Dom can use the device to locate Shaw. Ludacris is spot-on as the jester, whose cringing caution is a great counterfoil to the rampant machismo on display. The Rock packs some serious weaponry.

Furious 7 has a humane angle. The touching tribute to Walker puts the entire series into perspective and will make many eyes teary. The film's flaws suddenly vanish when you realise that if there is another film in this series, it just wouldn't be the same. RIP Paul.

Shreya Ghoshal Malayalam Nonstop songs

ARCHANA KAVI

Archana Jose Kaviyil, better known by her stage name Archana Kavi, is an Indian film

actress and a television host. She made her acting debut in Neelathaamara scripted 

by M. T. Vasudevan Nair and directed by Lal Jose.






Born: January 4, 1990 (age 25), New Delhi

Parents: Rosamma Kaviyil, Jose Kaviyil

Awards: Asianet Film Award for Best Star Pair, Asianet 
Film Award for Best New Face of the Year (Female)

Nominations: Filmfare Award for Best Actress – Malayalam

























































































Early life :

Archana was born in New Delhi to Jose Kaviyil, a senior journalist and Rosamma. She was raised in Delhi and studied in St. Xavier's School, Delhi. In 2006 Archana moved from Delhi to Ramapuram in Kerala to do a Bachelor of Business Administration course at the Mar Augustinose College. She stated that she came from a "typical Malayali middle-class family and acting was never considered a profession by us". She said that she wanted to be a journalist initially since her father was one and later wanted to be an RJ but that people discouraged her because of her "'great' voice, knowledge of Malayalam and 'superb' vocabulary".

Archana applied for an internship at the television channel Yes Indiavision and assist in the production of certain programmes. After a year, she anchored the show Bloody Love on the same channel, while she was spotted by director Lal Jose, who offered her the lead female role in his film in March 2009.






Career :

She made her cinematic debut in 2009 with the highly successful Neelathaamara, portraying the role of Kunjimalu, a maid in an old Nair Tharavadu (ancestral home) who falls for the young master of the house. Director Lal Jose said that "Archana has an in-born talent". Her role won lot of critical accolades. In her next venture titled Mummy & Me, which narrated the tale of the tumultuous relationship between a modern day teenager and her mother, she played the lead role of a rebellious teenager named Jewel. Archana stated the character Jewel was "so very like the real me". But her following release Best of Luck where she reunited with her Neelathamara co-stars Kailash and Rima Kallingal,failed to make an impact the box office. She made her Tamil debut in the period film Aravaan  in which she played a play a tribal character named Chimby.

In 2013 she also made her Telugu debut in Backbench Student. Archana stated that she played "a college girl caught in a sweet love tale" in the film. She acted as the lead in Abhiyum Njanum, in which she played a modern girl from Mumbai, who comes to Kerala in search of her fiancee. In Honey Bee she played a naïve Anglo-Indian girl Sara. She played s supporting role as the hero Karthik's best friend in Pattam Pole. Her next films Bangles in which she played a junior artiste, and Nadodimannan in which she played a doctor, both released on the same day.

She has signed her second Tamil film Gnana Kirukkan. She is shooting for Day-Night opposite Maqbool Salmaan. She has acted as a Muslim girl in the film Mazhavillinattam Vare, which is Kaithapram's directorial debut. She will also be seen in Nemam Pushparaj's upcoming film Kukkiliyar, in which she plays Manoj K Jayan's daughter who plays a 75-year-old. Archana also shot for a Hindi film Saroja, an offbeat film directed by Anjali Shukla, playing the role of a commercial sex worker.

She anchored Sundari Neeyum Sundaran Njaanum, a reality show for television actors on Asianet. She maintains a Twitter account. In 2010 she was only one of two Malayalam actresses maintaining an active Twitter account.

Archana also owns a boutique in Kochi, Kerala.








Filmography :

YearFilmRoleLanguageNotes
2009NeelathaamaraKunjimaluMalayalamAsianet Award for Best Female New Face of the Year
2010Mummy & MeJewelMalayalamAsianet Award for Best Star Pair (shared with Kunchacko Boban)
Nominated, Filmfare Award for Best Actress – Malayalam
Best of LuckNeethuMalayalam
2011Salt N' PepperPooja NairMalayalamCameo appearance
2012Spanish MasalaLillykkuttyMalayalamCameo appearance
AravaanChimittiTamil
Mazhavillinattam Vare RabiyaMalayalam
2013Backbench StudentPriyankaTelugu
Abhiyum NjanumAbiramiMalayalam
Honey BeeSaraMalayalam
Pattam PoleSherineMalayalam
BanglesAngelMalayalam
NadodimannanAathiraMalayalam
2014To Noora with LoveSreeparvathiMalayalam
Day Night GameAbhiramiMalayalam
Monayi Angane AanayiMalayalam
Gnana KirukkanSumathiTamil
2015Once Upon A TimeMalayalamFilming
KukkiliyarMalayalamFilming
SughamaayirikkatteMalayalamFilming

ANJALI MENON

Anjali Menon is an Indian film director and screenwriter best known for her work in Malayalam cinema






  1. Born: Kozhikode
  2. Spouse: Vinod Menon
  3. Education: London Film School
  4. Awards: National Film Award for Best Screenplay


























































































Early life :


Born in Calicut, Kerala, as the daughter of T. Madhavan Nair and Sarada Nair, Anjali grew up in Dubai and studied in Indian High School and Our Own English High School. She did her high school education in Presentation School Calicut and graduated with a degree in commerce from Providence Women's College, Calicut. She acquired her post-graduation degree in Communication Studies, specialising in Television production, from Pune University. In 2000, she joined the London Film School, specialising in Film Direction, and graduated with overall distinction honours in editing, producing and directing film. Her graduation film Black Nor White, where she is credited as Anjali Nair, features Rez Kempton & Archie Panjabi with Asif Kapadia as Executive Producer was premiered at the Palm Springs International Film Festival and travelled widely to many festivals and won the British Film Institute’s ImagineAsia Award for Best Short Film – second prize









Career :



Anjali Menon started her career in 1997 with television, working on shorts, documentaries, and program designing projects in India, Middle East and UK. In 2006 Vinod Menon and she started Little Films India, a film company in Mumbai.[3] which produced Manjadikuru.



Anjali Menon is a published writer with her screenplays as well as Monsoon Feast – a collection of short stories where she has contributed a story. Anjali Menon has taught at IIT Mumbai & Mudra Institute of Communication & Advertising, Ahmedabad and addressed students at IIT Chennai. She has been a speaker at the CII women leadership convention in 2012 & 2014 and has served as Jury Member for the Hassankutty Award at IFFK 2009 . 


As of 2014, she lives in Mumbai.






























Filmography :

YearFilmCastRoleNotes
2009Kerala CafeJagathy Sreekumar, Nithya MenenDirector and writer(segment Happy Journey)
2012ManjadikuruPrithviraj, Jagathi Sreekumar, Urvashi, Padmapriya, Thilakan, Murali, Rahman, Kaviyoor PonnammaDirector and writerFIPRESCI Award for Best Malayalam film at IFFK
Hassankutty Award at IFFK
2012Ustad HotelDulquer Salman, Thilakan, Nithya MenenScreenwriterNational Film Award for Best Screenplay
2014Bangalore DaysDulquer Salman, Fahadh Faasil, Nivin Pauly,
Nazriya Nazim, Parvati Menon, Nithya Menen, Isha Talwar, Sajid Yahiya
Director and writer